Glyptostrobus pensilis, the Chinese swamp cypress, is a living fossil and one of the rarest conifers on earth, the last surviving species of an ancient lineage that once ringed the Northern Hemisphere. A deciduous conifer of the cypress family, the swamp cypress is a near-twin of the American baldcypress, sharing the same feathery, soft green foliage, the same love of standing water, and even the same habit of throwing up woody knees from the roots in wet ground. In autumn the foliage turns a warm bronze-red before falling.
Hamamelis virginiana does everything backwards, and that is the entire appeal. When the rest of the woods has shut down for the year, when the leaves are gone and nothing else is in flower, witch hazel chooses that exact moment to bloom: spidery yellow flowers, all thin crimped strap-like petals, scattered along the bare branches through late fall and into the cold. They carry a faint sweet scent on a mild day and they wait, patiently, for whatever gnat or late fly is still working, because almost nothing else is. This is the shrub that flowers when flowering makes no sense, and is all the more loved for the defiance.
Few flowers announce themselves the way white ginger lily does after dark. Through late summer and early fall, the tall leafy stems open dense terminal spikes of pure white flowers, each bloom shaped like a hovering butterfly with a small yellow-green stain at the throat, and each one throwing a rich, sweet perfume that carries across a warm garden in the evening air. The scent is jasmine-deep and unmistakable, the reason the flowers are gathered for perfume and personal adornment across the tropics.
Heimia salicifolia is an airy, fine-textured shrub that carries a surprising amount of history in a modest frame. Slender willow-like leaves clothe the arching stems, and from midsummer into fall small, bright yellow, five-petaled flowers open in the leaf axils all along the branches, each followed by a little dry seed capsule. The overall effect is light and gauzy, a soft yellow haze rather than a bold splash, and the plant grows fast and multi-branched into a rounded, four-to-eight-foot mound.
Hibiscus coccineus 'Lone Star' is the pure white form of the scarlet rose mallow, and the change of color changes everything. Where the wild species blazes red, 'Lone Star' opens great five-pointed stars of clean, luminous white, five to seven inches across, glowing against deep green, finely cut foliage and all the more striking in the soft light of evening. The same tall, architectural native frame carries a cooler, more serene presence.
Cuban rose mallow is one of the tall, slender members of the perennial hibiscus tribe, a plant that reads as airy and upright rather than bushy. Through the summer the stems carry fairly large flowers in a soft purplish pink, the classic mallow saucer set against distinctly gray-green foliage, and the stems themselves are lightly prickly to the touch. Rising to seven or ten feet on narrow clumps, the plant lifts the bloom well up where the color can be seen from a distance.
Hibiscus dasycalyx is one of the rarest wildflowers in the country, described only in 1968, and even then from a mere handful of sites in the bottomlands of east Texas, in Houston, Trinity, and Cherokee counties, along the Neches, Angelina, and Trinity rivers. The total wild population has been estimated in the low thousands. Whole seasons of botanical fieldwork across the Southeast have turned up fewer plants than a single good nursery bed.
Hibiscus moscheutos, the rose mallow, is the hardiest of the perennial hibiscus and the tough, cold-proof parent behind most of the dinner-plate hibiscus sold today. The wild plant is a stout, clump-forming perennial of eastern marshes, rising to six or eight feet each summer and opening broad flowers to six inches and more, clean white or soft pink with a dramatic crimson eye at the center. For sheer size of bloom on a plant that shrugs off hard winters, little else compares.
'Peppermint Flare' comes with a well-documented pedigree, which is rare for a hardy hibiscus. The plant arose as a sport, a spontaneous mutation, of the hibiscus 'Flare', a nearly sterile rose-mallow hybrid bred by Dr. Sam McFadden and released through the University of Florida. The Texas horticulturist Greg Grant spotted and selected the peppermint-striped form, and in 2010 the plant was named a Texas Superstar, the designation reserved for tough, proven performers in the Southern heat.
From the warm lower slopes of the Himalayas, where they scramble through scrub from India and Nepal on into Bhutan, comes one of the more theatrical shrubs you can grow. The genus carries the name of Johan Theodor Holmskiold, an eighteenth-century Danish botanist, while sanguinea nods at the blood-red flush the flowers take on with age. For years they sat in Verbenaceae. Botanists have since moved them into Lamiaceae, the mint family, which makes them distant kin to salvia, rosemary, and teak. You would never guess as much to look at them.
'Preziosa' is a small, jewel-like hydrangea with a tangled pedigree and an unusual gift. Raised in Germany from the nursery tradition of Georg Arends and introduced around 1961, the shrub is a hybrid of Hydrangea serrata and Hydrangea macrophylla, and catalogs list the plant under all three names depending on which parent they favor. Whatever the label, 'Preziosa' behaves like a compact mophead, three to four feet high and wide, built for a smaller garden.
Hypericum nudiflorum is the early riser among the St. John's Worts, a slender, upright shrub that opens golden flowers as early as May, often a full month ahead of relatives. The blooms carry the many-stamened brush typical of the clan, set against broad, light green, oval leaves that give the plant a softer, leafier look than the needle-leaved species.
Hypericum reductum is the ground-hugging member of the family, a low, heathery evergreen that mounds and mats rather than climbing, rarely rising much above the knee. The stems are crowded with fine, needle-like, deep green leaves that give an almost coniferous texture, and through late spring and summer the whole low sweep is dotted with small, bright yellow, star-shaped flowers full of stamens.
Ilex glabra 'Leucocarpa' is the white-berried surprise among the inkberries, a native evergreen holly that trades the usual near-black fruit for berries of clean ivory white. On the ordinary inkberry the dark berries all but vanish against the deep green leaves, but here the pale fruit stands out cleanly and holds on the branches from fall right through to spring, a quiet, unexpected show in the winter garden.
Ilex 'Apollo' has one job in the garden, and does it superbly: pollination. A vigorous hybrid deciduous holly from the U.S. National Arboretum, crossing the Japanese winterberry, Ilex serrata, with the native American winterberry, Ilex verticillata, 'Apollo' was bred and released specifically as the male partner for the celebrated female 'Sparkleberry', and stands in equally well for 'Winter Red'.
Ilex verticillata 'Red Sprite' is winterberry shrunk to garden size and cranked up in intensity. Where much of the landscape fades to gray, this compact native holly turns into a beacon, the bare stems packed with heavy clusters of large, glossy scarlet berries that color in fall and cling deep into winter, a living ember at the pond's edge or against fresh snow.
Every winterberry covered in red is hiding a secret, and his name is 'Southern Gentleman'. Winterberry hollies are dioecious, male and female on separate plants, and only the pollinated females set the blazing red fruit the species is grown for. No male nearby, no berries. 'Southern Gentleman' is the male who makes the show possible, and asks for none of the credit.
Ilex 'Sparkleberry' is the aristocrat of the winterberries, a vigorous hybrid holly bred from the native winterberry, Ilex verticillata, and the Japanese winterberry, Ilex serrata, and introduced by the U.S. National Arboretum. The cross brought hybrid vigor and a heavier, longer-holding crop: tall, upright stems that shed their leaves in fall and blaze with bright red fruit, persisting so well that the berries often hang on into spring.
The genus is the one that turned the Lowcountry blue. Indigofera gave colonial South Carolina its great cash crop alongside rice, the dye that Eliza Lucas Pinckney coaxed into commercial cultivation around Charleston in the 1740s and that filled the colony's coffers for a generation, made with skill drawn largely from enslaved West Africans. That fortune rested on a tropical cousin, Indigofera tinctoria, but the family trait runs through the whole genus, and the leaves of this one will give up the same blue if you care to steep them. We grow the plant for the flowers instead.
No genus carries more Carolina history in its name than this one. Indigofera means indigo-bearing, and indigo was the blue that built the colonial Lowcountry: in the 1740s a young Eliza Lucas Pinckney coaxed a successful crop out of the land around Charleston, and for a generation the dye stood second only to rice among the colony's exports, made with skill drawn largely from enslaved West Africans, until the Revolution cut the British bounty and the fields went quiet. The plant that did that work was Indigofera tinctoria.
