Two Hall of Fame inductions hang on Leslie Ann's lineage, though neither is for a flower. The award stamped on her record, the Ralph Peer Sasanqua Award, carries the name of the man who in 1923 hauled recording equipment south to Atlanta and captured the first commercial sides of country and blues. Ralph Peer pioneered field recording and sits in both the Country Music Hall of Fame and the Blues Hall of Fame, then turned that same restless curatorial instinct on camellias late in life, founding the Los Angeles Camellia Society in 1948 and rising to president of the American Camellia Society by 1957. The man who recorded the Carter Family also decided which sasanquas deserved to be remembered. In 1961, one of them was this one.
'Misty Moon' is a relatively new selection of the favorite fall-blooming sasanqua, an upright, bushy evergreen carrying large, rounded, single to semi-double flowers in a soft lavender-pink with gently wavy petals. The fading flowers do something unusual, taking on a cool grayish-blue cast before the petals drop, the detail that earns the name. Woodlanders has grown 'Misty Moon' in the ground for many years here in Aiken, and the old-nursery specimen has become a real showstopper just as the rest of the garden winds down for the year.
'Yuletide' is one of the most widespread and instantly recognizable red camellias in the trade, and the popularity is well earned. Dense growth carries lustrous dark green foliage on an upright, tidy, naturally columnar frame, and against that backdrop the flowers arrive in real quantity from late fall into early winter: single blooms about three inches across in a clean fire red, each one centered on a boss of bright golden stamens. The contrast is the thing. Very few plants are doing anything at all in December in a southern garden, and a shrub covered in red and gold at that moment tends to end arguments about where to put it.
Camellia 'California Dawn' brings together two very different parents to make a large, generous flower for the far end of the year. A cross between the autumn-blooming Japanese Camellia sasanqua and the big, tender, large-flowered Camellia reticulata of Yunnan, this hybrid opens wide light-pink blooms, semi-double to loose peony form, the petals crimped and waved like crepe paper. The flowers arrive in fall and early winter, when the garden has mostly finished, and this camellia has grown and performed well in the Woodlanders garden.
This is the tea plant. Not a tea plant but the tea plant. Every cup of green tea, black tea, white tea, oolong, and pu-erh on Earth comes from a single species, Camellia sinensis. The differences in flavor and color come from the timing of the harvest and the way the leaves are handled afterward: green tea from the youngest leaves, briefly steamed; white tea from the unopened buds; black tea from fully oxidized older leaves; oolong from partial oxidation. One plant, many fates.
Hardiness
Zones 7–9
Light
Part Shade
Height
4–8 ft.
Spread
6–8 ft.
Bloom
White
Plant type
Shrub
Traditional use
general wellness, heart support, mental & emotional well-being, immune support, digestive health
'Rosea' is a pink-flowered form of the tea plant, Camellia sinensis, the same species behind every cup of green, black, white, and oolong tea, here carrying soft pink flowers in place of the usual white and a reddish flush through the new foliage. The leaves still make tea, so this is an ornamental and a useful plant at once, a little prettier in flower than the straight species and just as willing in the garden.
Hardiness
Zones 7–9
Light
Full Sun / Part Shade
Height
4–8 ft.
Spread
4–8 ft.
Bloom
Pink
Plant type
Shrub
Traditional use
general wellness, heart support, mental & emotional well-being, immune support, digestive health
Two species of camellia are commonly grown in American gardens, Camellia japonica and Camellia sasanqua, and there are countless varieties of each. This plant is neither. 'Cinnamon Cindy' is a hybrid between Camellia japonica 'Kenyo-tai' and a Chinese species, Camellia lutchuensis, and the reason anyone made that cross is fragrance. C. lutchuensis is a small-flowered species from the Ryukyu Islands and Taiwan carrying a scent that almost no garden camellia possesses, and breeders have spent decades trying to move that quality into plants with flowers worth looking at.
Camellia × williamsii 'Donation' is widely counted among the finest hybrid camellias ever raised, and a long-standing favorite in our own garden. The cross is between Camellia saluenensis and the old japonica 'Donckelaeri', made by Colonel Stephenson Clarke at Borde Hill in England; the williamsii group to which the plant belongs began with J.C. Williams at Caerhays, whose saluenensis crosses gave the genus a new hardiness and an unmatched freedom of bloom. 'Donation' carried that promise furthest, and the Royal Horticultural Society has long honored the plant with an Award of Garden Merit.
Bred by Les Jury in New Plymouth, New Zealand, first flowered in 1971 and registered in 1976, 'Jury's Yellow' is the camellia that finally cracked the yellow code, or came as close as Western breeders could get before the Chinese yellow species (Camellia nitidissima) made the leap from botanical archive to nursery bench. Jury worked only with white japonicas, betting that the gold of the stamens could be coaxed to bleed into the petaloids at a flower's center. The bet paid off. The result is an anemone-form bloom, nine clean white petals cupped around a thick boss of cream-yellow petaloids, the color of fresh butter rather than crayon yellow.
A yellow-flowered, floriferous selection of a vine that normally comes orange. 'Judy' climbs high and fast on aerial rootlets, carrying compound deciduous leaves of glossy toothed leaflets, and from midsummer onward produces terminal clusters of trumpets in a clear soft yellow with a darker throat. The flowers are three inches long and shaped precisely for a hummingbird's bill, which is not a coincidence and not lost on the birds; a trumpet creeper in full flower is the busiest thing in a southern garden in July. Bloom continues in waves until frost.
Campsis x tagliabuana 'Madame Galen' is the trumpet vine at its most garden-worthy, a vigorous deciduous climber hung all summer with clusters of big, flaring, orange to salmon-red trumpets. The vine is a hybrid between the American trumpet creeper, Campsis radicans, and the Chinese Campsis grandiflora, combining the toughness of one parent with the refinement of the other. Raised in the nineteenth century by the Tagliabue brothers at their nursery near Milan, 'Madame Galen' has remained the favorite form of the cross ever since.
Woodlanders collected this one in the pre-Andean foothills of northwest Argentina, which is exactly what the name says: praeandinum, before the Andes. The plant grows wild there between three and five thousand feet, in country that bakes by day and chills hard at night, and that upbringing shows. Heat that flattens lesser things does not faze this vine, which still comes back through a Zone 8 winter.
Canna flaccida is the wild golden canna of the Southern coastal plain, a native perennial with the broad, light green, tropical-looking leaves of the genus and large soft yellow flowers held above them in summer. Where the heavy garden cannas read as bedding, this species keeps a looser, wilder grace, the petals thin and almost orchid-like, opening in the morning and lasting a day.
Carex conica 'Marginata' is a miniature evergreen sedge, a tidy, tufted, grass-like clump of narrow dark green blades, each finely edged in silver-white. At close range the effect is crisp and jewel-like, a low cushion of fine texture that holds color and form the year round in mild winters.
Carex flaccosperma, the blue wood sedge, is a clump-forming native of the Southeastern woodlands grown for cool, glaucous, blue to blue-green foliage. The blades are wide for a sedge, to half an inch, faintly quilted along the veins, and they catch the light with a soft powdery sheen that lifts a shaded planting where most greens recede.
Carex morrowii is a tough, clump-forming Japanese sedge grown for deep, glossy, evergreen foliage, a low fountain of arching dark green blades that holds color and form through the year in mild winters. The plain green species is the quiet backbone behind the many variegated selections, and a fine foliage plant in its own right.
Carex morrowii 'Variegata' is the popular silver-edged form of the Japanese sedge, a tufted, grass-like clump of narrow blades to about a foot long, each margined crisply in silvery white. The variegation brightens a shaded planting where plain greens recede, and the evergreen foliage holds the effect through the year in mild winters.
Carpinus caroliniana is a native tree that hides its best feature in plain sight, a smooth, gray, sinewy bark that ripples over the trunk like the muscles of a flexed arm, giving the common names musclewood and ironwood. This small, slow, dense understory tree of eastern North America carries fine, birch-like leaves and a rounded, layered crown. The wood beneath that muscled bark is famously hard and heavy, the reason ironwood stuck as a name.
Devilwood earns the odd name honestly. Cartrema americanum, long known and still widely sold as Osmanthus americanus, carries a wood so cross-grained and stubborn that early woodworkers swore the timber was possessed, and the name has stuck for centuries, a small piece of American folklore hung on an otherwise gracious plant. The leaves are leathery, elliptical, and smooth-margined, a deep glossy green without the spines that arm so many tea olives, and they build into a dense, rounded evergreen of fifteen to twenty-five feet, handsome as screen, understory, or small tree.
Carya aquatica, the water hickory or bitter pecan, is a large native tree of the walnut family, reaching ninety feet and more in the wild. Across the American South the species dominates clay flats and the backwater ground near streams and rivers, reproducing aggressively by seed and by sprouts from roots and cut stumps, and forming a major part of the region's wetland forests, in part because the more marketable timber trees around the water hickory have so often been logged out.
