Forestiera angustifolia 'Weeping' is a distinctive pendulous form of the Texas desert olive, an intricately branched native shrub whose cascading, weeping branches make it a living piece of sculpture. Fine and twiggy, clothed in small narrow leaves, the plant drapes and tumbles in a way the wild shrub never does, and reveals a fine tracery of branches in winter once the leaves have fallen. Tough as the Texas brush country that bore it, this is a plant grown as much for form as for foliage, and a favorite subject for bonsai.
'Sea Spray' has long traveled under the name Fothergilla major, a tidy assumption the botanists have since complicated. Run through a flow cytometer, the plant turns out to be a hybrid, F. × intermedia, the meeting of mountain witch-alder (F. major) and the dwarf coastal F. gardenii, the little shrub Charleston's Alexander Garden sent across to England in the 1760s, in a genus already named for John Fothergill, the London physician who tried to grow half of America in a single garden. All of which makes the name, for once, honest. Most Sea Spray christenings are wishful; this one actually carries the coast in the blood.
Fothergilla gardenii is a small deciduous shrub, usually three to four feet tall, and a native of the southeastern coastal plain, where the plant haunts moist, peaty pinelands and bogs. A member of the witch-hazel family, Hamamelidaceae, and a close cousin of the witch-hazels themselves, dwarf fothergilla shares the family gift for honey-scented late-winter and spring bloom on bare or barely-leafed stems.
The native fothergillas were choice but scarcely available garden shrubs when Woodlanders first began to offer them back in 1980. This one, a hybrid of Fothergilla gardenii and F. major, was found by Dr. Michael Dirr at the Mt. Airy Arboretum in Cincinnati, Ohio, and has since become the most widely grown fothergilla of all, and deservedly so.
This is the wild strawberry of eastern North America, Fragaria virginiana, the modest little groundcover that carpets sunny woodland edges, old fields, and roadside banks across the continent. Trifoliate, serrated leaves rise in low tufts, and slender runners reach out to root new plantlets at their tips, so that a single crown becomes a colony in a season or two.
Gelsemium rankinii is one of the South's gentler mysteries, a twining, semi-evergreen vine that has long threaded through the quiet wetlands and river margins of the Gulf Coast. Where other vines sprawl boldly, the swamp jessamine moves with a kind of restraint, weaving through shrubs and small trees on glossy, fine-textured foliage, with a poise born of deep, humid landscapes.
Carolina jessamine is the twining gold of the Southern spring, native to the southern United States and honored as the state flower of South Carolina. An evergreen vine of easy grace, the plant clothes a fence or trellis in glossy, narrow leaves and, as winter loosens, opens a wash of fragrant yellow trumpets that scent the whole garden.
'Pride of Augusta' is the old double-flowered Carolina jessamine, a twining evergreen vine that turns the familiar Southern gold into something fuller and more lavish. Where the wild species opens simple funnels, this selection packs each bloom with extra petals, so the vine carries a long, generous show of ruffled, double yellow flowers, sweetly fragrant, from late winter into early spring.
Carolina jessamine is the state flower of South Carolina and one of the most beloved evergreen vines of the South, prized for the wash of fragrant yellow trumpets that opens the gardening year. 'Margarita' is the cold-hardy answer to that beauty, a selection that carries the same sweet-scented gold well north of where the species usually gives out.
In the dappled understory of the Eastern woods, Geranium maculatum has made a home for as long as the forests have stood. Known to generations as wild geranium or cranesbill, this native perennial forms a tidy clump of softly lobed leaves and lifts loose sprays of rose-purple, five-petaled flowers, as much a part of the old spring landscape as dogwood and trillium.
Some plants elevate the familiar into the extraordinary, and Gordonia lasianthus 'Variegata' does exactly that, taking the quiet majesty of the native loblolly bay and dressing it in a silken fringe of cream. The glossy green leaves are edged in irregular strokes of ivory, as though touched by the brush of some moonlit painter in the pine woods, and the whole shrub glimmers softly through every season.
Gymnocladus dioicus, the Kentucky coffeetree, is a bold, handsome native shade tree that keeps its own unhurried calendar, among the last trees to leaf out in spring and the first to stand bare in fall. That long leafless season gave the tree a curious name, which means naked branch, and the winter silhouette of thick, blunt, sculptural limbs is a feature in itself. Hillier's great manual calls the Kentucky coffeetree one of the most handsome of all hardy trees, and few who grow one would disagree.
Carolina silverbell is one of the loveliest of the small native trees of the Southern woods, a deciduous tree of the southeastern United States that lights the spring understory with hundreds of little white bells. In April and May, before or as the leaves unfold, the branches hang thick with clusters of nodding, bell-shaped white flowers, an effect much like a flowering dogwood but softer, and just as welcome at the woodland edge.
In spring, the bare gray branches of the two-wing silverbell fill with small white bells, three to six to a cluster, hanging along the year-old wood like a run of tiny lanterns. Each flower is a half-inch, four-lobed cup, and en masse they turn a modest understory tree into one of the quiet highlights of the southern woodland spring. This silverbell grows as a large multi-stemmed shrub or a small tree, rarely more than thirty feet, with an open, layered frame that lets light through to whatever grows below.
Of all the silverbells, this is the one plant hunters remember. Halesia diptera var. magniflora is the large-flowered form of the two-wing silverbell, and the difference is not subtle: the white, bell-shaped flowers run half again larger than the type, sometimes an inch and more across, with the lobes cut so deeply that each bloom flares open like a little white star rather than a closed bell. In full flower, before the leaves are fully out, the branches all but vanish beneath them, and a mature specimen becomes a cloud of white in the April woods.
Firebush earns the name honestly. From late spring until the first frost, the arching branch tips carry tight clusters of slender tubular flowers in hot orange-red, each one a narrow torch held out for the hummingbirds and butterflies that work the plant from morning to dusk. The foliage plays along: new leaves and stems flush bronze to burgundy, the veins stained red, so that even between flushes of bloom the whole shrub reads warm. Few plants pull in as much winged traffic through the heat of a southern summer.
The name does the plant no favors. "Swamp sunflower" conjures boggy ground and standing water, which is where you find the plant in the wild, yes, but not where you need to plant this sunflower in the garden. Helianthus angustifolius tolerates wet soils in nature because wet soils are where the plant manages to grow without being outcompeted. Given good sun and average garden moisture, the sunflower performs considerably better and needs no drainage problem to justify a place. The name is a provenance note, not a planting instruction.
Helianthus verticillatus is a sunflower you grow as much for the story as the flower, though the flower holds up on merit. The plainest field mark is the leaves: narrow, lance-shaped, and arranged in distinct whorls of three or four around the stem rather than in the usual opposite or alternate pairs, a tidy structural signature that names the plant and sets the species apart from every common sunflower. Tall and strong-stemmed, the plant rises six to ten feet and lifts open clusters of clear yellow, dark-centered flowers in late summer and early fall.
Pineland hibiscus is the wilder, pricklier cousin among the native mallows, and all the more charming for a slightly untamed look. Through the summer the plant opens broad flowers several inches across in soft creamy yellow, each centered on a deep maroon eye, the classic hibiscus form scaled down and set on a low, spreading, bristly frame. The deeply lobed leaves are rough to the touch and the stems carry fine prickles, so the whole plant reads as a hardy native of open, sunny ground rather than a pampered border hybrid.
