Grown for the vase as much as the border. This collection is curated for the flower farmer and the creative florist, the resilient, long-blooming, and uniquely beautiful plants that cut well, last long, and keep the pollinators happy in the field.
Some plants are loved for how they look. Calycanthus floridus is loved for how they smell, which is a different and older kind of attachment. The flowers are strange and handsome in their own right, an inch or two across, dark maroon going toward burgundy, built from many narrow strap-like segments with no clear line between petal and sepal, somewhere between a small magnolia and something from the bottom of the sea. But the reason this shrub has been passed down through Southern gardens for three centuries is what happens when the flowers open on a warm day: a deep fruit-bowl perfume, strawberry and pineapple and ripe banana, that drifts well beyond the plant.
The century plant is the great architectural agave, a broad rosette of thick, gray green, spine-tipped leaves that can spread six to eight feet across, each leaf edged with hooked teeth and ending in a hard dark spine. The form is bold and symmetrical, a piece of living sculpture for a hot, dry corner, and the silver cast of the foliage carries the planting through every season.
Aromatic aster is the toughest and most fragrant of the fall asters, and 'Raydon's Favorite' is the classic selection. Aster oblongifolius 'Raydon's Favorite' forms a dense, rounded mound of small leaves that release a clean, balsam-like scent when brushed, and in early to mid fall vanishes under a haze of lavender-blue, gold-centered daisies.
Baptisia alba, white wild indigo, is a striking native perennial of tall spires of white, pea-like flowers over deep blue-green foliage. Native to the eastern and central United States, the species carries a rich history as a dye plant, used by Native American peoples and early settlers as a substitute for true indigo, and the genus name, from the Greek bapto, to dip, records that role.
When Woodlanders began in 1980, this was about the only Baptisia known to gardeners; we went on to introduce many of the species that have since become popular garden perennials. Baptisia australis, blue wild indigo, is a long-lived native, essentially a prairie plant of open glades on limestone soil, with handsome olive-green compound leaves topped in spring by spikes of bright indigo-blue, pea-like flowers.
Baptisia megacarpa, the Apalachicola or bigpod wild indigo, is a rare and remarkable native of the floodplains and forested slopes of the Florida Panhandle, southeastern Alabama, and southwestern Georgia. The species grows on sandy ridges and stream terraces in the Chattahoochee River drainage, finely tuned to that particular corner of the South.
Baptisia sphaerocarpa, yellow wild indigo, is the sunny member of the wild indigo clan, a tough, rounded native perennial topped in spring with short, dense spikes of clear bright yellow, pea-like flowers over fresh blue-green foliage. Compact and shrubby, the plant brings strong color and structure to a sunny border.
Crossvine is a high-climbing, semi-evergreen native vine with bright trumpet flowers, and 'Helen Fredel' is a large-flowered selection in red-orange with a yellow throat, a shade between the old varieties 'Atrosanguinea' and 'Tangerine Beauty'. Climbing high by tendrils and adhesive holdfasts, the crossvine flowers heavily in early summer and again, more lightly, later, and shows to best effect on a fence, an arbor, or a trellis in sun or part shade.
Crossvine is a high-climbing, semi-evergreen native vine, and 'Tangerine Beauty' is the famous tangerine-orange selection, opening a spring blaze of bright orange, trumpet-shaped flowers and blooming again, more lightly, through the season. Climbing high by tendrils and adhesive holdfasts, the crossvine shows to best effect on a fence, a wall, or a trellis in sun or part shade, where the early trumpets draw hummingbirds in numbers.
Crossvine is a vigorous, semi-evergreen native climber that ascends by tendrils and adhesive holdfasts, and var. atrosanguinea is the red one: where the typical crossvine flowers orange, this striking selection, introduced by Woodlanders, carries abundant deep red to red-purple trumpets, often over narrower, longer leaves. The flowers even smell faintly of mocha on a warm day.
Buttonbush is a rounded, deciduous native shrub, easily trained as a small multi-stemmed tree, grown for the curious globe-shaped flowers that give the plant its name. From early summer into fall, creamy-white pincushion balls about an inch across stud the branches, each a sphere of tiny tubular flowers with projecting styles that lend a fireworks effect, intensely fragrant and alive with bees, butterflies, and other pollinators.
Hardiness
Zones 5–10
Light
Full Sun / Part Shade
Height
6–12 ft.
Spread
6–8 ft.
Bloom
White
Plant type
Shrub
Traditional use
pain relief, general wellness, detoxification & cleansing, topical applications
The native fringetree is one of the great small trees of the southern spring. Chionanthus virginicus, a deciduous large shrub or small tree, often multi-stemmed, hangs the whole canopy with fleecy, drooping panicles of narrow white petals in spring, soft as torn paper and lightly fragrant, a look that earned the old country names old man's beard and grancy graybeard. On female plants the flowers give way to clusters of raisin-sized, deep blue-purple fruits that birds take quickly.
Native to the open prairies and meadows of North America, Coreopsis lanceolata, the lanceleaf coreopsis, has long been admired for bright, golden-yellow blooms and an easy, hardy nature. This perennial wildflower has been a staple of North American landscapes for a very long time, growing across a wide range of climates and soils, from sandy coastal ground to the rich prairies of the Midwest.
Coreopsis verticillata, the threadleaf coreopsis, is a clump-forming native perennial dressed in fine, thread-like foliage and covered through the long weeks of summer in small, bright yellow, daisy-like flowers. Native to the open woods and clearings of the eastern United States, threadleaf coreopsis has become one of the most popular of all garden perennials, an easy, airy, long-blooming plant for the sunny border.
Decumaria barbara, the native woodvamp or wild climbing hydrangea, is a self-clinging woody vine of the southeastern United States, grown for glossy foliage and flat, creamy-white flower clusters that echo those of the true hydrangeas in early summer. In the wild the vine belongs to wet bottomland forests and swamp margins, and also climbs in the rich, moist coves of the southern Appalachians, hauling itself up tree trunks on hairy aerial rootlets, the holdfasts that let the plant grip bark, brick, or stone without any support at all.
Some plants are grown for beauty; a few are grown for the story of their survival, and Echinacea tennesseensis, the Tennessee coneflower, is one of the latter. Endemic to a handful of limestone cedar glades around Nashville, the species was once believed extinct, then rediscovered in the middle of the twentieth century clinging to those thin, sun-baked soils. The Tennessee coneflower went on to become one of the first plants ever listed under the U.S. Endangered Species Act, and after decades of protection and propagation was formally delisted in 2011, recovered. To grow this coneflower is to keep a small piece of that comeback going.
The American beech is one of the great presences of the eastern woods, a large, slow-growing deciduous tree that ranges through rich forests from southern Canada to the Gulf. Toothed oval leaves, several inches long, emerge a clean bright green, turn clear yellow in fall and then a warm russet-brown, and cling to the branches through much of winter, a habit called marcescence that gives the bare woods a soft papery whisper. The trunk is the signature: smooth, silver-gray, and elephantine, so inviting that generations have carved their initials into the living bark, a temptation best resisted since the wounds never truly heal.
Carolina jessamine is the state flower of South Carolina and one of the most beloved evergreen vines of the South, prized for the wash of fragrant yellow trumpets that opens the gardening year. 'Margarita' is the cold-hardy answer to that beauty, a selection that carries the same sweet-scented gold well north of where the species usually gives out.
The name does the plant no favors. "Swamp sunflower" conjures boggy ground and standing water, which is where you find the plant in the wild, yes, but not where you need to plant this sunflower in the garden. Helianthus angustifolius tolerates wet soils in nature because wet soils are where the plant manages to grow without being outcompeted. Given good sun and average garden moisture, the sunflower performs considerably better and needs no drainage problem to justify a place. The name is a provenance note, not a planting instruction.
'Annabelle' is a wild American shrub with a hometown. Around 1910 two sisters, Harriet and Amy Kirkpatrick, spotted an unusually full-flowered smooth hydrangea in the woods of Union County, Illinois, dug the plant, and grew it in their garden in the town of Anna. For half a century the shrub passed hand to hand around southern Illinois as a nameless local treasure, until the University of Illinois plantsman Dr. Joseph C. McDaniel traced the trail back to Anna in the 1960s, selected the plant, and released it for sale in 1962. The name 'Annabelle' honors both the town and the Kirkpatrick belles who found the shrub: Anna plus belle.
