The garden under the canopy. Shade is not a problem to solve but a place to plant, and these are the ferns, foliage plants, and quiet bloomers that make the cool, dim ground beneath trees and walls into one of the loveliest parts of a garden.
The Lenten rose is not a rose at all, but a member of the buttercup tribe that happens to flower around Lent, in the raw weeks of late winter when the garden is otherwise bare. The blooms are nodding cups a couple of inches across, held just above the foliage in white, cream, pink, plum, and a smoky green, many of them freckled or veined at the throat. What look like petals are in fact sepals, which is the secret of the long show: rather than dropping in days, the flowers hold for weeks and age slowly to green, carrying color from late winter well into spring.
Itea, the sweetspires, are graceful shrubs of the family Iteaceae, named from the Greek word for willow after their willow-like leaves. Itea oldhamii is a little-known evergreen sweetspire from Taiwan, a compact shrub with an unusual party trick: the juvenile leaves can be holly-like, edged with small teeth, while the mature leaves settle to a smooth, entire margin. In late spring the plant carries racemes of small white flowers over glossy evergreen foliage.
In July, when most of the shade garden has settled into a holding pattern of foliage and waiting, Aesculus parviflora opens for business. The timing is the first surprise. The flowers are the second. Each panicle is a foot or more of tightly packed white tubular blooms with conspicuous pink-red anthers projecting beyond the petals, the whole spike held upright above the foliage like something assembled by a botanical committee that could not decide between elegant and extravagant and chose both. A mature colony in full bloom in midsummer is among the more spectacular events available to the shade gardener, and the hummingbirds and swallowtails arrive reliably.
A wide-spreading, suckering, multi-stemmed deciduous shrub of slow, deliberate growth, Aesculus parviflora var. serotina carries the same upright white bottlebrush flowers as the bottlebrush buckeye, but opens them two to three weeks later, well into the heat of summer. The overall shape is irregular and almost stratified, the branches layering horizontally, and the medium to dark green leaves turn a clear yellow in fall.
Camellia fraterna is a camellia stripped back to wild beginnings, a species from the hills of eastern China far removed from the big, blowsy blooms of the garden japonicas and sasanquas. Where those carry a few large flowers, this one covers slender, upright branches in a snowfall of small, single, white flowers, faintly pink outside and softly fragrant, that arch the stems with their sheer number. The small, pointed evergreen leaves and open, airy habit give the plant an easy, natural grace.
Dirca palustris, the leatherwood, is a quiet native shrub with a hidden trick: branches so supple and tough they can be bent, twisted, even tied in a knot without snapping. That remarkable pliability, born of unusually soft, low-lignin wood, gave rise to the names leatherwood and ropebark, and made the bark a favorite of Native peoples for cordage. A slow, rounded, understory shrub of rich eastern woodlands, leatherwood is seldom offered and quietly prized by those who know it.
In the dappled understory of the Eastern woods, Geranium maculatum has made a home for as long as the forests have stood. Known to generations as wild geranium or cranesbill, this native perennial forms a tidy clump of softly lobed leaves and lifts loose sprays of rose-purple, five-petaled flowers, as much a part of the old spring landscape as dogwood and trillium.
Hosta 'Tardiflora' announces the best trait in the name itself: tardiflora means late-flowering, and this small Japanese hosta is very nearly the last of the tribe to bloom, lifting lavender flowers in fall when most hostas have already finished and begun to tire. The plant traces back to the wild Hosta longipes, the long-stalked giboshi of Japan's rocky mountain slopes, where the species clings to cliffs and streambanks; 'Tardiflora' is a distinct, late seedling form long grown as a garden plant in its own right.
Hosta yingeri is one of the more recent hostas to reach gardens and one of the most distinct, a species found only on a scatter of rocky islands in the Huksan Archipelago off the southwestern coast of Korea. The American plantsman Barry Yinger collected the plant on Taehuksan Island in 1985, and the botanist Samuel B. Jones formally named the species in 1989 in Yinger's honor. For a genus most gardeners associate with the woodlands of Japan, this Korean islander broadened the family map.
Ilex spinigera is a holly with a deep past, a rare evergreen from the Hyrcanian forests that ring the southern Caspian Sea in northern Iran. Small, glossy, dark green leaves edged with fine spines clothe a dense small tree or large shrub, and on female plants such as this one bright red berries glow against the foliage through fall and into winter, the classic holly effect on an uncommonly ancient plant.
Iris cristata is the iris scaled down for the woodland floor, a dwarf native barely six inches high that spreads into low, overlapping fans of bright green blades. In mid to late spring the mats light up with small flowers, an inch and a half to two inches across, in soft lavender-blue to violet, each fall stamped with a white patch and a raised orange or yellow ridge. That ridge is the crest that gives the plant both the Latin name cristata, crested, and the common name crested iris, and the feature sets the species apart from the bearded and beardless irises alike.
A small crested iris with the carriage of an orchid and a quietly extraordinary biography. Iris japonica was named by Carl Peter Thunberg in 1794. Thunberg was a protege of Linnaeus and one of the only Western botanists allowed into Japan during the country's closed period, from 1775 to 1778, so much of what he brought back is, in a real sense, the first documented record of Japanese flora in Western science. The species had already reached Europe two years earlier, carried out of China by Thomas Evans of the East India Company in 1792. By the 1820s Pierre-Joseph Redoute, the same artist whose rose paintings turn up on every aunt's tea tray, was painting the plant under the older name Iris fimbriata in his Choix des plus belles Fleurs. A treasure of cultivated gardens for more than two centuries.
Iris verna is one of those plants that feels like a secret, small, fragrant, and impossibly charming once noticed. Native to the pinewoods and sandy slopes of the eastern United States, this understated iris has been a spring companion for centuries, brightening forest floors long before gardeners thought to give the plant a place at home.
Itea, the sweetspires, are graceful shrubs of the family Iteaceae, their name taken from the Greek word for willow. Itea yunnanensis is the Yunnan sweetspire, an evergreen species from southwestern China, close to the Chinese sweetspire but lower and more spreading, with more leathery, darker green leaves that are somewhat holly-like and toothed on juvenile plants and smooth-edged at maturity. In spring the plant carries slender four-inch racemes of small white flowers.
Kerria is a monotypic genus, a single species that stands alone in the rose family (Rosaceae), native to the mountain woodlands of China and Japan. The old-fashioned kerria has bright green, arching stems and toothed leaves, and in spring the branches light up with flowers that in the common double form look like tiny golden roses. The genus honors William Kerr, the Kew plant hunter who sent the double-flowered form back to England from Canton in the early 1800s, and in Japan the plant is beloved as yamabuki, a name woven through centuries of poetry celebrating that spring yellow.
William Kerr arrived in Guangzhou in 1803 as the first professional plant hunter posted permanently in China, dispatched by Sir Joseph Banks and the Royal Botanic Gardens at Kew to send back whatever the southern port cities could offer. Among his returns was a double-flowered shrub with bright yellow, pompon-like blooms, gathered from cultivation and shipped to Kew in 1805. The genus was eventually named Kerria in his honor. His later years were less distinguished, marked by an opium habit and a thinning correspondence, and he died in Ceylon in 1814. The double-flowered form he introduced, 'Pleniflora', went on to become one of the most common shrubs in Victorian gardens, present in nearly every collection of the era and still widely planted today.
Leucothoe populifolia, still fondly called Agarista populifolia by those who knew the plant before the name changed, is the giant of a genus otherwise built low to the ground. Where most leucothoes hug the shade at knee height, this one climbs, sending up tall, erect stems that arch at the tips into a fountain of glossy evergreen leaves, and given years and room the shrub can pass for a small multi-stemmed tree of twelve to fifteen feet.
Wild blue phlox turned up in the Woodlanders catalog almost by insisting on it, growing in the woods around Aiken the way the plant has for as long as anyone can remember. We have watched these colonies for years, and taking this long to offer them is either a comment on our patience or on our woody bias. Possibly both.
A spring-blooming native of the eastern woodlands, found from Ontario and Quebec south through the Appalachians and as far west as Minnesota and Oklahoma, growing on rich deciduous forest floors, along streambanks, and at the bases of sandstone canyons. Polemonium reptans is one of those native plants that rewards close attention. The leaves are pinnately compound, with seven to twenty-one paired leaflets running up each stem like the rungs of a ladder, the source of the common name, which gestures all the way back to the biblical Jacob and his dream of a stairway to heaven. The genus name is older still: Polemonium honors King Polemon of Pontus, an ancient Greek ruler with a side interest in herbalism.
Hardiness
Zones 3–8
Light
Part Shade / Full Shade
Height
1–2 ft.
Spread
1–2 ft.
Bloom
Blue
Plant type
Perennial
Traditional use
respiratory support, detoxification & cleansing, topical applications, general wellness
Polygonatum commutatum, the great or giant Solomon's seal, is a bold native perennial of the eastern North American woodlands, sending up tall, unbranched, gracefully arching stems clad in broad, oval, alternate leaves. From the leaf axils along the underside of each stem hang small, creamy-white, bell-shaped flowers, usually in pairs, in late spring and early summer.
Hardiness
Zones 3–8
Light
Part Shade / Full Shade
Height
3–5 ft.
Spread
1–2 ft.
Bloom
White
Plant type
Perennial
Traditional use
pain relief, digestive health, respiratory support, general wellness
