Grown for the vase as much as the border. This collection is curated for the flower farmer and the creative florist, the resilient, long-blooming, and uniquely beautiful plants that cut well, last long, and keep the pollinators happy in the field.
A small, bright green agave with a clean white stripe down the center of each short, broad, toothed leaf, Agave lophantha 'Splendida' is a compact, clumping selection of a species native to South Texas and Mexico. The variegated rosettes stay neat and low, a jewel-box agave for a trough, a container, or the front of a hot, sunny bed.
A compact cast iron plant from Vietnam, Aspidistra vietnamensis 'Amanogawa' carries narrow, deep green, upright blades scattered with small creamy white spots, as if dusted with stars. The cultivar name, Japanese for the Milky Way, fits the effect exactly, and the speckled foliage brings light and pattern to a shaded bed where plain green would simply recede.
Some plants are loved for how they look. Calycanthus floridus is loved for how they smell, which is a different and older kind of attachment. The flowers are strange and handsome in their own right, an inch or two across, dark maroon going toward burgundy, built from many narrow strap-like segments with no clear line between petal and sepal, somewhere between a small magnolia and something from the bottom of the sea. But the reason this shrub has been passed down through Southern gardens for three centuries is what happens when the flowers open on a warm day: a deep fruit-bowl perfume, strawberry and pineapple and ripe banana, that drifts well beyond the plant.
Japanese cedar is a tall, pyramidal to conical evergreen conifer, and the great timber tree of Japan, where the sugi soars past a hundred feet and lines temple avenues and mountain forests alike. The blue-green needles are held close and awl-shaped, taking on a bronzy, purple-bronze cast through cold winters before recovering their color in spring. The reddish-brown bark peels in long fibrous strips down a straight, buttressed trunk.
The genus name comes from the Greek dichroos, meaning "two-colored," and Dichroa versicolor presses the idea further: bloom color shifts with soil chemistry much the way a hydrangea does, swinging from deep cobalt to soft mauve depending on how much aluminum a plant can draw up. The species epithet versicolor only doubles down on the point, promising a shrub that refuses to settle on a single shade.
'Preziosa' is a small, jewel-like hydrangea with a tangled pedigree and an unusual gift. Raised in Germany from the nursery tradition of Georg Arends and introduced around 1961, the shrub is a hybrid of Hydrangea serrata and Hydrangea macrophylla, and catalogs list the plant under all three names depending on which parent they favor. Whatever the label, 'Preziosa' behaves like a compact mophead, three to four feet high and wide, built for a smaller garden.
Ilex 'Apollo' has one job in the garden, and does it superbly: pollination. A vigorous hybrid deciduous holly from the U.S. National Arboretum, crossing the Japanese winterberry, Ilex serrata, with the native American winterberry, Ilex verticillata, 'Apollo' was bred and released specifically as the male partner for the celebrated female 'Sparkleberry', and stands in equally well for 'Winter Red'.
There is a small lie in the name. Sanguinea means blood, and yet the iris in front of you is blue, or blue running toward violet, with only a wine-dark deepening in the falls to argue the case. The botanists felt the strain too: Carl Thunberg first tried to file the plant as Iris orientalis in 1794, found that name already taken, and the species waited until 1813 for the one carried since. The Japanese never bothered with Latin. To them the flower is ayame, one of the three irises of early summer, threaded through a thousand years of poetry and arriving in that uncertain seam where the old poets could never quite agree whether spring had ended or summer begun.
The Lauraceae is an underappreciated family. Its members include cinnamon, camphor, bay laurel, and the avocado, which gives you some sense of the range of things the family has contributed to human civilization. Machilus thunbergii is another member in good standing, though these trees arrive in the Western garden with considerably less fanfare than their relatives. In East Asia they are well known: a coastal evergreen tree native to Japan, Korea, Taiwan, China, and Vietnam, valued for timber, planted as a street tree, and the source of makko, a powder derived from the bark and used for centuries to bind incense and, in a more practical application, to repel mosquitoes. The bark also has a history in traditional medicine. Here, in other words, is a tree that has been useful to people for a very long time, which is not a bad thing for a plant to be.
In Japan they call the shrub tobira, short for tobira no ki, the door tree, because the cut branches were hung in the doorway at Setsubun to turn back demons at the threshold of spring. The broken wood smells rank, which was rather the point: bad spirits, like most of us, would rather not walk through a bad smell. The genus name is kinder and more exact, pitta and sporos, pitch and seed, for the resin that coats the black seeds and glues them to whatever bird carries them off.
Podranea ricasoliana, the pink trumpet vine or Port St. John's creeper, is a fast-growing evergreen climber from the warm regions of South Africa, a member of the trumpet-creeper family, Bignoniaceae, prized for showy, trumpet-shaped flowers.
Polygala x dalmaisiana, the sweet pea shrub, is a fast-growing evergreen hybrid of two South African species (P. oppositifolia and P. myrtifolia), grown for a nearly year-round show of orchid-like flowers on an open, informal frame.
The English laurel is a large broadleaf evergreen shrub grown for bold, glossy foliage, spires of small white flowers, and, at times, small cherry-like red-to-black fruits. The species is variable, with a number of cultivated forms, and the plant is native to eastern Europe and Asia Minor.
The century plant is the great architectural agave, a broad rosette of thick, gray green, spine-tipped leaves that can spread six to eight feet across, each leaf edged with hooked teeth and ending in a hard dark spine. The form is bold and symmetrical, a piece of living sculpture for a hot, dry corner, and the silver cast of the foliage carries the planting through every season.
The uncommon white-berried form of coral ardisia, Ardisia crenata 'Alba' is a small, neat evergreen shrub of glossy, scallop-edged dark green leaves, hung in fall and winter with clusters of round white berries in place of the usual coral red. The pale fruit and shining foliage give a long season of quiet interest, indoors in a bright room or out in a shaded, frost-free garden.
Ardisia japonica 'Hinode' is a variegated form of the Japanese marlberry, each glossy, dark green leaf marked with a broad gold band down the center. Low and slowly spreading, this evergreen carpets shaded ground at eight to twelve inches, lit by the gold variegation and dotted in fall with bright red berries that hold into winter.
A boldly striped form of the cast iron plant, Aspidistra elatior 'Variegata' carries the same broad, leathery, evergreen blades, each brushed lengthwise with bands of creamy white over deep glossy green. The variegation lights up a shaded corner, and the toughness is all there too: this is a near-indestructible evergreen for difficult, low-light places.
Aromatic aster is the toughest and most fragrant of the fall asters, and 'Raydon's Favorite' is the classic selection. Aster oblongifolius 'Raydon's Favorite' forms a dense, rounded mound of small leaves that release a clean, balsam-like scent when brushed, and in early to mid fall vanishes under a haze of lavender-blue, gold-centered daisies.
Baptisia alba, white wild indigo, is a striking native perennial of tall spires of white, pea-like flowers over deep blue-green foliage. Native to the eastern and central United States, the species carries a rich history as a dye plant, used by Native American peoples and early settlers as a substitute for true indigo, and the genus name, from the Greek bapto, to dip, records that role.
When Woodlanders began in 1980, this was about the only Baptisia known to gardeners; we went on to introduce many of the species that have since become popular garden perennials. Baptisia australis, blue wild indigo, is a long-lived native, essentially a prairie plant of open glades on limestone soil, with handsome olive-green compound leaves topped in spring by spikes of bright indigo-blue, pea-like flowers.
